Theater

Q&A

“I want your soul to feel good”: Madison Jade Jones on ‘Anansi and the Halfling’

by Gemma Wilson
Preview

“He’s broken and faking it”: Maggie Rogers on ‘Everything You Touch’

by Gemma Wilson
Preview

Ray Tagavilla on ‘Reckless,’ eating during shows and stage fright

by City Arts Staff
Preview

Jasmine Joshua on new musicals, the Lioness Quartet and nontraditional casting

by City Arts Staff
Preview

Arlene Martínez-Vázquez on ‘Native Gardens,’ Latinx characters and imagination

by City Arts Staff
Preview

ACT artistic director John Langs on building community through making art

by City Arts Staff
Preview

As seen on the screen: more theater picks

by City Arts Staff
Preview

‘Skeleton Crew’: in conversation with Jay O’Leary and Tracy Michelle Hughes

by Gemma Wilson
Preview

‘The Noteworthy Life of Howard Barnes’ celebrates both old and new-school theater magic

by Gemma Wilson
Preview

Explore your grubby, envious self in Rachel Mars’ ‘Our Carnal Hearts’

by Melody Datz Hansen
News

The Williams Project’s ‘blood,’ sweat and tears at Equinox Studios

by City Arts Staff
Q&A

One Coast Collaboration’s nine-year theatrical dinner party

by Gemma Wilson
Preview

Arts in Nature is Seattle at its finest

by Jonathan Zwickel
Review

Seattle Opera’s ‘Porgy and Bess’ is a cornucopia of vocal and visual riches

by Philippa Kiraly
Review

‘The Rules of Charity’ blurs the line between caring and cruelty

by Dusty Somers
Review

‘She Kills Monsters’ Journeys into Grief and ’90s Nostalgia

by Dusty Somers