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Category: Theater
Exit Interview: Wesley Frugé and Forward Flux
“Our city isn’t stepping up to say, ‘We value our people.'”
The Williams Project’s ‘A Bright Room Called Day’
A thin membrane between reality and nightmare and past and present runs through Tony Kushner’s 1985 play, set in 1930s Germany.
Has social media made Mike Daisey obsolete?
I only saw one episode of the monologist’s new 18-part work ‘A People’s History,’ inspired by Howard Zinn. He’s still a great performer, but is he saying anything we haven’t heard before?
Anansi and the Halfling, Parliament Square, A Bright Room Called Day and more
The enduring effects of ‘Oslo’
ACT presents J.T. Rogers’ Tony-winning play about the secret Norwegian-led peace talks between Israel and Palestine in the early 1990s.
Paying theater artists fair wages is hard. But why do we consider it optional?
We need to talk about money.
Being Arson Nicki
The art of making a real, radical self.
Photos, winners and more: Get a good look at the 2018 Gregory Awards
Photographer John Cornicello was on the ground at McCaw Hall to capture some of the evening’s best looks.
In ‘I And You,’ a slice of teenage life
Lauren Gunderson’s play, co-produced by Pratidhwani and Theater Schmeater, contains multitudes.
The come-hither kindness of ‘Come From Away’
The unlikely hit musical, a story of great generosity in extreme circumstances, returns to Seattle.
‘Fade’ struggles to find reality in TV writing
Tanya Saracho’s two-hander, now running at Seattle Public Theater, stars Ana Maria Campoy and Marco Adiak Voli.