Theater

End of an Era

by Leah Baltus and Amanda Manitach and Dan Paulus and Gemma Wilson and Jonathan Zwickel
We have some big, sad news. A message from our editorial team.
Q&A

Exit Interview: Wesley Frugé and Forward Flux

by Gemma Wilson
"Our city isn’t stepping up to say, 'We value our people.'"
Review

The Williams Project’s ‘A Bright Room Called Day’

by Dusty Somers
A thin membrane between reality and nightmare and past and present runs through Tony Kushner’s 1985 play, set in 1930s Germany.
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Review

Has social media made Mike Daisey obsolete?

by Gemma Wilson
Calendar

Anansi and the Halfling, Parliament Square, A Bright Room Called Day and more

by City Arts Staff
Review

The enduring effects of ‘Oslo’

by Gemma Wilson
Feature

Paying theater artists fair wages is hard. But why do we consider it optional?

by Gemma Wilson
Cover Story

Being Arson Nicki

by Amanda Manitach
Photo Album

Photos, winners and more: Get a good look at the 2018 Gregory Awards

by John Cornicello
Review

In ‘I And You,’ a slice of teenage life

by Dusty Somers
Review

The come-hither kindness of ‘Come From Away’

by Gemma Wilson
Review

‘Fade’ struggles to find reality in TV writing

by Dusty Somers
Review

Don’t look away from ‘A Thousand Splendid Suns’

by Gemma Wilson
Preview

Holiday miracles: BenDeLaCreme on ‘Gaylord Manor’ and a brand-new show with Jinkx Monsoon

by Gemma Wilson
Review

‘A Small History of Amal, Age 7’ follows a young boy’s fanciful journey

by Dusty Somers