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November 2018
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Review
Scarecrow Suggests
September Video Releases: ‘Superfly,’ ‘The Tree of Life,’ ‘Scream for Help’ and ‘My Man Godfrey’
by
Staff at Scarecrow
August 29, 2018
Album of the Month
Album of the Month: ‘Dinner Dates for the End of Days’ by Scarves
by
Jonathan Zwickel
August 29, 2018
Attractive Singles
Listen! New Music by Spesh, Sus, Afterlife Giftshop, Scarlet Parke and EMI
by
Jonathan Zwickel
August 29, 2018
Review
Seattle Opera’s ‘Porgy and Bess’ is a cornucopia of vocal and visual riches
by
Philippa Kiraly
August 13, 2018
Review
‘The Rules of Charity’ blurs the line between caring and cruelty
by
Dusty Somers
August 10, 2018
Review
Pearl Jam at Safeco: All of Us Are the One
by
Jonathan Zwickel
August 9, 2018
Review
‘She Kills Monsters’ Journeys into Grief and ’90s Nostalgia
by
Dusty Somers
August 6, 2018
Scarecrow Suggests
August Video Releases: ‘The Changeling,’ ‘Revenge’ and ‘How to Talk to Girls at Parties’
by
Staff at Scarecrow
July 27, 2018
Album of the Month
‘HH100’ by Various Artists
by
Jonathan Zwickel
July 27, 2018
Attractive Singles
Listen! New Music by ScribeMecca, Razor Clam, Emily Donohue, Sandrider and solotape
by
Jonathan Zwickel
July 27, 2018
Review
‘Double Exposure’: A Reckoning with Edward S. Curtis
by
Margo Vansynghel
July 20, 2018
Review
‘Persimmon Nights’: Bulgogi and Buried Secrets at Cafe Nordo
by
Dusty Somers
July 17, 2018
Review
‘Femme Fatale’ is a Hot, Lovable Mess
by
Gemma Wilson
July 16, 2018
Review
‘Family Matters’ at ReAct Theatre
by
Dusty Somers
July 9, 2018
Review
Sinner Saint Burlesque’s Bittersweet, Big-Hearted Swan Song
by
Kaitlin McCarthy
July 2, 2018
Review
‘The Color Purple’: Yes, It’s Beautiful
by
Gemma Wilson
June 28, 2018
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