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November 2018
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Review

Scarecrow Suggests

September Video Releases: ‘Superfly,’ ‘The Tree of Life,’ ‘Scream for Help’ and ‘My Man Godfrey’

by Staff at Scarecrow August 29, 2018
Album of the Month

Album of the Month: ‘Dinner Dates for the End of Days’ by Scarves

by Jonathan Zwickel August 29, 2018
Attractive Singles

Listen! New Music by Spesh, Sus, Afterlife Giftshop, Scarlet Parke and EMI

by Jonathan Zwickel August 29, 2018
Review

Seattle Opera’s ‘Porgy and Bess’ is a cornucopia of vocal and visual riches

by Philippa Kiraly August 13, 2018
Review

‘The Rules of Charity’ blurs the line between caring and cruelty

by Dusty Somers August 10, 2018
Review

Pearl Jam at Safeco: All of Us Are the One

by Jonathan Zwickel August 9, 2018
Review

‘She Kills Monsters’ Journeys into Grief and ’90s Nostalgia

by Dusty Somers August 6, 2018
Scarecrow Suggests

August Video Releases: ‘The Changeling,’ ‘Revenge’ and ‘How to Talk to Girls at Parties’

by Staff at Scarecrow July 27, 2018
Album of the Month

‘HH100’ by Various Artists

by Jonathan Zwickel July 27, 2018
Attractive Singles

Listen! New Music by ScribeMecca, Razor Clam, Emily Donohue, Sandrider and solotape

by Jonathan Zwickel July 27, 2018
Review

‘Double Exposure’: A Reckoning with Edward S. Curtis

by Margo Vansynghel July 20, 2018
Review

‘Persimmon Nights’: Bulgogi and Buried Secrets at Cafe Nordo

by Dusty Somers July 17, 2018
Review

‘Femme Fatale’ is a Hot, Lovable Mess

by Gemma Wilson July 16, 2018
Review

‘Family Matters’ at ReAct Theatre

by Dusty Somers July 9, 2018
Review

Sinner Saint Burlesque’s Bittersweet, Big-Hearted Swan Song

by Kaitlin McCarthy July 2, 2018
Review

‘The Color Purple’: Yes, It’s Beautiful

by Gemma Wilson June 28, 2018
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