Home
Music
Theater
Visual Art
Dance
Film
Comedy
Food & Style
Books & Talks
Calendar
November 2018
Skip to content
Review
Review
The Williams Project’s ‘A Bright Room Called Day’
by
Dusty Somers
November 6, 2018
Review
Has social media made Mike Daisey obsolete?
by
Gemma Wilson
November 2, 2018
Review
‘RE/33: 33 Fainting Spells Revisited’ traces an emotional and aesthetic dance lineage
by
Kaitlin McCarthy
October 31, 2018
Review
The enduring effects of ‘Oslo’
by
Gemma Wilson
October 31, 2018
Album of the Month
‘All On Camera’ by Sun Breaks treats nostalgia as a curio
by
Jonathan Zwickel
October 26, 2018
Attractive Singles
Listen! New music by Hushy, Seaan Brooks, Anomie Belle, Beverly Crusher and Cumulus
by
Jonathan Zwickel
October 26, 2018
Scarecrow Suggests
November video releases: ‘The Last Movie,’ ‘Take It Out in Trade,’ ‘Pioneers: First Women Filmmakers’ and ‘Skate Kitchen’
by
Scarecrow Staff
October 26, 2018
Review
‘The Midsummer,’ an ambitious debut from new dance company the gray
by
Kaitlin McCarthy
October 24, 2018
Review
Set in Stone: Majestic Northwest landscapes on view in Tacoma
by
Margo Vansynghel
October 23, 2018
Review
In ‘I And You,’ a slice of teenage life
by
Dusty Somers
October 22, 2018
Review
A disappointing Mahler symphony at St. James Cathedral
by
Philippa Kiraly
October 22, 2018
Review
Calvin Gimpelevich’s ‘Invasions’ considers the body
by
Afrose Fatima Ahmed
October 19, 2018
Review
The come-hither kindness of ‘Come From Away’
by
Gemma Wilson
October 18, 2018
Review
‘Fade’ struggles to find reality in TV writing
by
Dusty Somers
October 16, 2018
Review
Seattle Opera presents a perfectly eerie ‘The Turn of the Screw’
by
Philippa Kiraly
October 15, 2018
Review
Don’t look away from ‘A Thousand Splendid Suns’
by
Gemma Wilson
October 12, 2018
1
2
3
»
Next page
60
MAGAZINE
Archives
Advertise
ABOUT
About
Contact
Terms & Conditions
Privacy Policy
FOLLOW