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November 2018
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Q&A

Q&A

Meditating in the Marketplace: A Q&A with Kassa Overall, Drummer, Producer, MC, Prodigal Son

by Jonathan Zwickel July 26, 2018
Q&A

Dance-Experimentalist Christin Call Embraces Her Ambition

by Kaitlin McCarthy July 25, 2018
Q&A

Up Close and Personal with Mickalene Thomas

by Margo Vansynghel July 13, 2018
Q&A

Going Up

by Gemma Wilson June 27, 2018
Q&A

The Trees Give Up Their Secrets

by Amanda Manitach June 26, 2018
Q&A

Welcome to ‘Trash Mountain’

by Jonathan Zwickel June 6, 2018
Q&A

Vermillion Celebrates 10 Years

by Margo Vansynghel May 30, 2018
Preview

Grief, Joy, Identity, Community: Britt Karhoff’s ‘Still Wonder Full’

by Melody Datz Hansen May 30, 2018
Q&A

Seeing the Unseen

by Jonathan Zwickel May 29, 2018
Q&A

SIFF 2018: Writer/director Megan Griffiths on ‘Sadie’

by Tony Kay May 24, 2018
Q&A

SIFF 2018: Vlada Knowlton on ‘The Most Dangerous Year’

by Tony Kay May 23, 2018
Q&A

Nancy Guppy Is Not an Artist

by Jonathan Zwickel May 3, 2018
Q&A

Ellen Forney Wants to Help You Help Yourself

by Amanda Manitach April 30, 2018
Q&A

‘Like a Mother’: Angela Garbes on Her New Book

by Gemma Wilson April 25, 2018
Q&A

Guayaba: Experimental, Shape-shifting Hip-hop

by Jonathan Zwickel April 25, 2018
Q&A

Response and Responsibility: Rebuilding the Field of Architecture

by Margo Vansynghel April 13, 2018
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