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November 2018
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Q&A
Q&A
Meditating in the Marketplace: A Q&A with Kassa Overall, Drummer, Producer, MC, Prodigal Son
by
Jonathan Zwickel
July 26, 2018
Q&A
Dance-Experimentalist Christin Call Embraces Her Ambition
by
Kaitlin McCarthy
July 25, 2018
Q&A
Up Close and Personal with Mickalene Thomas
by
Margo Vansynghel
July 13, 2018
Q&A
Going Up
by
Gemma Wilson
June 27, 2018
Q&A
The Trees Give Up Their Secrets
by
Amanda Manitach
June 26, 2018
Q&A
Welcome to ‘Trash Mountain’
by
Jonathan Zwickel
June 6, 2018
Q&A
Vermillion Celebrates 10 Years
by
Margo Vansynghel
May 30, 2018
Preview
Grief, Joy, Identity, Community: Britt Karhoff’s ‘Still Wonder Full’
by
Melody Datz Hansen
May 30, 2018
Q&A
Seeing the Unseen
by
Jonathan Zwickel
May 29, 2018
Q&A
SIFF 2018: Writer/director Megan Griffiths on ‘Sadie’
by
Tony Kay
May 24, 2018
Q&A
SIFF 2018: Vlada Knowlton on ‘The Most Dangerous Year’
by
Tony Kay
May 23, 2018
Q&A
Nancy Guppy Is Not an Artist
by
Jonathan Zwickel
May 3, 2018
Q&A
Ellen Forney Wants to Help You Help Yourself
by
Amanda Manitach
April 30, 2018
Q&A
‘Like a Mother’: Angela Garbes on Her New Book
by
Gemma Wilson
April 25, 2018
Q&A
Guayaba: Experimental, Shape-shifting Hip-hop
by
Jonathan Zwickel
April 25, 2018
Q&A
Response and Responsibility: Rebuilding the Field of Architecture
by
Margo Vansynghel
April 13, 2018
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