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November 2018
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Q&A
Q&A
Exit Interview: Wesley Frugé and Forward Flux
by
Gemma Wilson
November 6, 2018
Q&A
At Glass Box, Zack Bent blurs art and life
by
Margo Vansynghel
November 1, 2018
Q&A
Dancer / choreographer Kyle Davis on his most ambitious work yet
by
Rachel Gallaher
November 1, 2018
Q&A
Shout Your Abortion’s Amelia Bonow is ready to fight
by
Leah Baltus
October 26, 2018
Q&A
Scott Shoemaker lives to bring over-the-top absurdity to the stage
by
Gemma Wilson
September 26, 2018
Q&A
Nick Carroll cultivates Seattle’s weirdest, most welcoming dance club
by
Jonathan Zwickel
August 29, 2018
Q&A
“I want your soul to feel good”: Madison Jade Jones on ‘Anansi and the Halfling’
by
Gemma Wilson
August 29, 2018
Q&A
One Coast Collaboration’s nine-year theatrical dinner party
by
Gemma Wilson
August 27, 2018
Q&A
Travis Thompson on his ‘YouGood?’ visual album
by
Jonathan Zwickel
August 10, 2018
Q&A
Trevor Paglen is shooting a sculpture into outer space
by
Margo Vansynghel
August 8, 2018
Q&A
Elisheba Johnson Helms a New Pioneer Square Space
by
Margo Vansynghel
August 3, 2018
Q&A
Saint John’s Enchanted Dinosaur Fantasy Land™️
by
Tobias Coughlin-Bogue
August 3, 2018
Q&A
Gary Hill’s Maddening ‘Linguistic Spill ([un]contained)’ at CoCA
by
Margo Vansynghel
August 1, 2018
Q&A
Finding Empathy in ‘Disclosure’
by
Gemma Wilson
July 27, 2018
Q&A
ChrisTiana ObeySumner on ‘Porgy and Bess,’ Humanity in Institutions, the Canon
by
Gemma Wilson
July 27, 2018
Q&A
Preserving History: Chieko Phillips on ‘Lore Re-Imagined’
by
Amanda Manitach
July 26, 2018
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