Q&A

Q&A

Exit Interview: Wesley Frugé and Forward Flux

by Gemma Wilson
Q&A

At Glass Box, Zack Bent blurs art and life

by Margo Vansynghel
Q&A

Dancer / choreographer Kyle Davis on his most ambitious work yet

by Rachel Gallaher
Q&A

Shout Your Abortion’s Amelia Bonow is ready to fight

by Leah Baltus
Q&A

Scott Shoemaker lives to bring over-the-top absurdity to the stage

by Gemma Wilson
Q&A

Nick Carroll cultivates Seattle’s weirdest, most welcoming dance club

by Jonathan Zwickel
Q&A

“I want your soul to feel good”: Madison Jade Jones on ‘Anansi and the Halfling’

by Gemma Wilson
Q&A

One Coast Collaboration’s nine-year theatrical dinner party

by Gemma Wilson
Q&A

Travis Thompson on his ‘YouGood?’ visual album

by Jonathan Zwickel
Q&A

Trevor Paglen is shooting a sculpture into outer space

by Margo Vansynghel
Q&A

Elisheba Johnson Helms a New Pioneer Square Space

by Margo Vansynghel
Q&A

Saint John’s Enchanted Dinosaur Fantasy Land™️

by Tobias Coughlin-Bogue
Q&A

Gary Hill’s Maddening ‘Linguistic Spill ([un]contained)’ at CoCA

by Margo Vansynghel
Q&A

Finding Empathy in ‘Disclosure’

by Gemma Wilson
Q&A

ChrisTiana ObeySumner on ‘Porgy and Bess,’ Humanity in Institutions, the Canon

by Gemma Wilson
Q&A

Preserving History: Chieko Phillips on ‘Lore Re-Imagined’

by Amanda Manitach