Preview

Preview

‘Jerome Robbins Festival’ honors a legendary choreographer

by Gemma Wilson
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‘Skeleton Crew’: in conversation with Jay O’Leary and Tracy Michelle Hughes

by Gemma Wilson
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‘The Noteworthy Life of Howard Barnes’ celebrates both old and new-school theater magic

by Gemma Wilson
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Explore your grubby, envious self in Rachel Mars’ ‘Our Carnal Hearts’

by Melody Datz Hansen
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‘Lily/LUNG’ creates space with sound

by Maggie Molloy
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Operatic ghost story ‘The Turn of the Screw’

by Gemma Wilson
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Whim W’Him’s dancer-curated ‘Choreographic Shindig’

by Kaitlin McCarthy
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“He’s broken and faking it”: Maggie Rogers on ‘Everything You Touch’

by Gemma Wilson
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Ray Tagavilla on ‘Reckless,’ eating during shows and stage fright

by City Arts Staff
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Amy J Lambert on isolation, marimba and fitting in

by City Arts Staff
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Jasmine Joshua on new musicals, the Lioness Quartet and nontraditional casting

by City Arts Staff
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Arlene Martínez-Vázquez on ‘Native Gardens,’ Latinx characters and imagination

by City Arts Staff
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A heightened, radical experience: Babette Pendleton on Yellow Fish Durational Performance Festival

by Kaitlin McCarthy
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Arts in Nature is Seattle at its finest

by Jonathan Zwickel
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The Core Ensemble presents ‘Don Giovanni’ from a woman’s point of view

by Philippa Kiraly
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The healing flavor of ‘Moonshine’

by Kaitlin McCarthy