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November 2018
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Film
Band Crush
WATCH: Prom Queen and the Black Tones
by
Jonathan Zwickel
March 15, 2018
Faded Signs
Black Bourgeois Panther
by
Shaun Scott
March 2, 2018
Hamil with Care
‘Altered Carbon’ and the Limits of Dystopia
by
Brett Hamil
March 1, 2018
News
Seattle Films at SXSW
by
City Arts Staff
February 27, 2018
Premiere
Kung Foo Grip, “Sposed Ta B”
by
Jonathan Zwickel
February 22, 2018
Q&A
‘Float’ is Rooted in Cambodian American Seattle
by
Tony Kay
February 22, 2018
Faded Signs
Seattle Socialists Resurrect Fred Hampton
by
Shaun Scott
February 16, 2018
Q&A
K Ishibashi and Densho’s Day of Remembrance
by
Shaun Scott
February 15, 2018
News
4Culture and the King County Council: Oversight or Overreach?
by
Jonathan Zwickel
February 5, 2018
Premiere
“Hunt and Gather” by Moon Palace
by
Jonathan Zwickel
February 5, 2018
See It This Week
Ross McMeekin’s new Hollywood noir, Tint Dance Festival, Tenderfoot’s record release, a BDSM opera, early David Lynch shorts, Band Crush and more
by
City Arts Staff
February 5, 2018
Hamil with Care
‘Electric Dreams’ Is Not ‘Black Mirror 2.0’—And That’s a Good Thing
by
Brett Hamil
February 1, 2018
Faded Signs
In Defense of Call-out Culture
by
Shaun Scott
February 1, 2018
Review
Seattle Filmmaker Sees Redemption and Reconciliation ‘As Far as the Eye Can See’
by
Tony Kay
January 30, 2018
News
TV Time Machine
by
City Arts Staff
January 29, 2018
News
The Babes with the Power
by
City Arts Staff
January 29, 2018
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