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November 2018
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Film

Band Crush

WATCH: Prom Queen and the Black Tones

by Jonathan Zwickel March 15, 2018
Faded Signs

Black Bourgeois Panther

by Shaun Scott March 2, 2018
Hamil with Care

‘Altered Carbon’ and the Limits of Dystopia

by Brett Hamil March 1, 2018
News

Seattle Films at SXSW

by City Arts Staff February 27, 2018
Premiere

Kung Foo Grip, “Sposed Ta B”

by Jonathan Zwickel February 22, 2018
Q&A

‘Float’ is Rooted in Cambodian American Seattle

by Tony Kay February 22, 2018
Faded Signs

Seattle Socialists Resurrect Fred Hampton

by Shaun Scott February 16, 2018
Q&A

K Ishibashi and Densho’s Day of Remembrance

by Shaun Scott February 15, 2018
News

4Culture and the King County Council: Oversight or Overreach?

by Jonathan Zwickel February 5, 2018
Premiere

“Hunt and Gather” by Moon Palace

by Jonathan Zwickel February 5, 2018
See It This Week

Ross McMeekin’s new Hollywood noir, Tint Dance Festival, Tenderfoot’s record release, a BDSM opera, early David Lynch shorts, Band Crush and more

by City Arts Staff February 5, 2018
Hamil with Care

‘Electric Dreams’ Is Not ‘Black Mirror 2.0’—And That’s a Good Thing

by Brett Hamil February 1, 2018
Faded Signs

In Defense of Call-out Culture

by Shaun Scott February 1, 2018
Review

Seattle Filmmaker Sees Redemption and Reconciliation ‘As Far as the Eye Can See’

by Tony Kay January 30, 2018
News

TV Time Machine

by City Arts Staff January 29, 2018
News

The Babes with the Power

by City Arts Staff January 29, 2018
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