Shaun Scott

The decades-old franchise's true source of terror is the omnipresent specter of male sexual attention.

Films do a lot more than reflect our reality; they also mold it. Ninety years ago 'The Passion of Joan of Arc' told the story of a martyr of justice condemned to silence by legislative authority, cultural hierarchy and technology itself.

Seattle's City Attorney recently attacked what he sees as the lawlessness of the city’s protestors—and established himself as a pundit-prosecutor on the incorrect side of history.

The smoke of forest fires has dismantled the myth of Seattle's environmental exceptionalism.

If it weren’t for capitalism, we wouldn’t have the masterpiece that is 'Sorry to Bother You.' But wouldn’t you rather have free money instead?

'Scorpion' contains a collage of loaded racial codes that comment on the way race is lived in America.

The fight against the so-called “Amazon Tax” is part of a broader effort to curry support for pro-business political sentiment. This is not a new fight, but an outgrowth of an old fight that American conservatives have been waging since the 1970s.

In Estelita’s Library, Edwin Lindo hopes to create a space where writers, artists and intellectuals interested in social transformation can get educated and inspired.

Seattle’s benign appearance belies a class and culture war for living space.

On Tuesday afternoon, the Seattle Police Department stood atop the Orwellian peak of the city’s political landscape, writes columnist Shaun Scott.

Now streaming on iTunes, 'The Young Karl Marx' speaks to the ways that America's modern left is understood—and misunderstood.

The spectacle surrounding 'Black Panther' is more progressive than the film itself.