Each moment of ‘Patti & the Kid’ is rich with purpose and detail, building a compelling, surreal world.
Contributor: Kaitlin McCarthy
Math + Art + Dance at CoCA
How can an improvisational dance, so freeform and abstract, possibly be so similar to math, which seems so concrete and rigid?
Bebe Miller Company, ‘In a Rhythm’ at On the Boards
Through watching and listening, choreographer Bebe Miller teaches us to become literate in the language of others’ choices and others’ bodies.
HIJACK’s Hybrid Dance-Film Work at NWFF
Minneapolis dance duo HIJACK overcame less-than-ideal technical circumstances to create a rarefied form of engagement.
A Dance for Dark Horses
Choreographer Kim Lusk’s delightful, demanding full-length debut
‘Young Manic / I Wanted To Be On Broadway’ Makes the Case for Dreaming Big
Choreographer Amy J Lambert brings an evening of dance, comedy and self-referential humor to Velocity.
‘Pylon III’: Ominous Tech-Scape and Unrealized Promise
Despite stellar dancers, Tectonic Marrow Society’s ‘Plyon III’ doesn’t fully realize the potential of its impressive design.
Promising Work, New Perspectives at Velocity’s Latest ‘Bridge Project’
The quality of both the dances and the dancers at Velocity Dance Center’s ‘Bridge Project’ is as strong as it’s ever been.
The Grief Girls’ Careful Hope
Director Laura Aschoff has a way of putting together images that capture specific, complex feelings, and lure those feelings from the depths of our psyches.
Randy Ford: Dancer, Amplifier
Randy Ford is not just a dancer, they’re an experience.
The Nagging Question of Kate Wallich’s ‘Dream Dances’
The choreographer’s new work, a study in form, premiered last weekend at On the Boards.
Former Salt Horse Dancers Pry at Reality’s Edges in ‘Rose Blue’
Beth Graczyk and Corrie Befort performed a highly imaginative duet at Base last weekend.