Gemma Wilson is a senior editor at City Arts magazine. She holds a BFA in Theatre from NYU’s Tisch School of the Arts (Atlantic Theatre School/CAP 21) and an MA in Arts Journalism from the S.I. Newhouse School at Syracuse University. She’s a Seattle native who spent over a decade in New York, including several years working for legendary Broadway director/producer Hal Prince. She later worked as a reporter for Broadway.com before returning West to focus on covering the arts in her hometown.

Recent Articles

Artwork

Follow the Signs

“Hands have always interested me as a subject, considering what they’re capable of,” says Seattle artist Zach Rockstad, whose A Day of Driving (Honk) earned top honors at City Arts’ spring Art Walk Awards. The mixed-media piece began as a...
Food

Pop Art

Six Strawberries puts a homemade spin on popsicles. From a distance, the Broadway Farmer’s Market is a blur of white tents and green vegetables, where bicycle baskets overflow with local bacon and basil plants and bleary-eyed 20-somethings jockey...
News

Shedding Sunlight on the Classics

Nothing blows the stuffiness out of Shakespeare like a summer breeze. Lounging on a worn, plaid blanket in Brooklyn’s Carroll Park on a warm night last summer, I picked at cheeses and drank from some technically-verboten-but-totally-ubiquitous...
News

So You Think You Can Dance This

On a blindingly bright Sunday afternoon, several dozen young women gather inside a dim dance studio near Northgate Mall. Bunheads, they aren’t. Dressed in everything from cheetah-print harem pants and retro sneakers to skinny jeans and Converse, the...
Review

The Financial Lives of the Poets: Book-It Theatre Finds The Funny

On a bullet point level, there is probably nothing in The Financial Lives of the Poets that you haven’t heard before. The Book-It Theatre production, adapted from the 2009 novel by Jess Walter, is set in the height of the financial crisis. An...
Review

Other Desert Cities: Fear, Family And Loathing In Palm Springs

It’s been six years since Brooke Wyeth (Marya Sea Kaminski) has visited her parents’ oppressively sunny, oppressively beige and oppressively right-wing Palm Springs home. When she finally makes the long trip west from Sag Harbor, the Christmas...
Feature

Stu: the Musical

The wholesome, unlikely folktale of a small town in Oregon and America’s first transgender mayor. Andrew Russell was biking on Manhattan’s Upper West Side in 2009, listening to the podcast Radiolab when he heard something that nearly stopped...
Review

Ready Or Not, Here Comes Momma!

Today’s stage mothers exist in our collective conscious as the Kate Gosselin-haired tyrants of Toddlers & Tiaras and Dance Moms, but these backseat career drivers are amateurs compared to Momma Rose. Momma Rose, who will do anything to get her...
Q&A

‘Black Watch’ Director John Tiffany

John Tiffany doesn’t really do traditional storytelling. The British theatre director began his rise to international prominence when Black Watch, which he created with writer Gregory Burke, burned a path from the 2006 Edinburgh Fringe Festival to...
Review

Balagan’s August: Osage County

And you thought your family reunion was bad. As the lights go up on August: Osage County, the oppressive, still heat of late summer in Oklahoma hangs in a rambling home free of air conditioning, the fug compounded by black trash bags taped over the...