The editors are the (at times, questionable) brains behind the content you read, watch and listen to in City Arts and City Arts Online. They write, they edit, they rewrite, they spell-check, they blog, they Tweet, they text. They just got a Flip camera, so now they flip, too. They go to shows as much as possible: theatre, punk rock, gala-singalongs and gallery openings. They consume pints upon pints of Stumptown coffee per day. They attend an unforgivable amount of meetings. They g-chat about photoshoot ideas, e-mail over lunch dates and shout headlines through office walls. They don’t dress up very often. They read a ton. They never have a red pen when they need it. They swim, jog and occassionally take dance classes. They stay up late and come in early. They share loves for jazz and the True Blood soundtrack. Sometimes they make their own music, or write plays or poems or stories, though they wish they did it more. Sometimes they write for other publications. They could stand to get a hair cut. And their desks are messy, their offices poorly decorated. But their calendars are full. Their hopes high. They love the arts. They get goosebumps from a well-crafted poem or a sincerely delivered reading. They watch their favorite movies too many times. They probably care a little too much what people will think of this spread or that pullquote. But they can’t help themselves.They hold onto the belief that people still read; and people still love to read about art. You do, don’t you?
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Recent Articles

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Curator’s Eye: On Line

Selected by Otto Youngers, Curator, Sea-Tac International Airport The use of lines is ever present in Karen's work, an expansive body, including paintings, prints, photographs, letterpress and mixed media. Delicately inscribed or sensitively applied...
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Curator’s Eye: Lost and Found

Selected by Michael Sweney, Art Dealer and Independent Curator Describing Marc Dombrosky’s work to the uninitiated can be difficult. He . . . what? Collects scraps of paper from the street? And embroiders over the author’s hand-drawn marks. Why?...
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Curator’s Eye: The Rebirth of Venus

Venus Series, 2006, Glass, Mica, Enamel. 28”x16”. Selected by Liz Cepanec, Visiting Artist Program Manager Curatorial Department, Museum of Glass Diane Hansen’s art is a blend of feminine energy and classic beauty. Her childhood art...
Feature

3 x 2

Three pairs of creative collaborators who are South Sound originals Michael Lent and Jared-Pappas Kelley Partners in life and work, Michael Lent and Jared-Pappas Kelley are video artists and arts entrepreneurs. They founded ArtRod, a nonprofit...
Feature

Pickers’ Paradise

A celebration of bluegrass and beyond, Wintergrass is an acclaimed music festival and a great place to make friends. On a Thursday evening in late February, the crowds begin to gather in the lobby of the Sheraton Tacoma Hotel. Look at the lobby...
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Curator’s Eye: In Thin Air

Dream Suspended, 2006, Porcelain, Neon Wire, AC Driver, Wood. 108 x 88 x 56 in. Installation at Kittredge Gallery. Selected by Esther Luttikhuizen, Gallery Director, Kittredge Gallery, University of Puget Sound I find Yuki Nakamura’s artwork...
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The Florida Report

Jeroen Oerlemans Fotografie Guru of urban reformation and author of the best-selling Rise of the Creative Class, Richard Florida returns to Tacoma, September 21-22, where he wowed ‘em as keynote speaker at the Chamber of Commerce’s annual meeting...
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Curator’s Eye: Hunger Artist

PB&J, 2001, Mixed Media, 48 x 74 inches, Private Collection Selected by Lani Ladbon, University of Washington-Tacoma Gallery Bret creates work that’s visually stimulating, intriguing and, at the same time, socially conscious. Is it necessary for...
Feature

We Are Family

With an approach centered on building community, the downtown School of the Arts is improving overall student performance while encouraging creativity. On Elise Clark’s second day at her new high school, the sophomore was surprised to find herself...