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The Difficult Dichotomy of ‘How I Learned to Drive’
June 11, 2018
Strong lead performances anchor Strawberry Theater Workshop's production of Paula Vogel’s disturbing, ingratiating, Pulitzer-winning play.
Lewis and Clark Sing Their Way Through ‘Journey West!’
June 5, 2018
A wilder, more biting show lurks in the shell of this musical by Andrew Lee Creech.
You Can’t Stop ‘Hairspray’
May 30, 2018
Every element of this Village Theatre's staging has been coifed to perfection.
‘Hand to God’: The Sacred, the Profane and the Puppets at Seattle Public Theater
May 22, 2018
Kelly Kitchens directs an effervescent staging of the Tony-nominated black comedy.
A Warm ‘Welcome to Arroyo’s’
May 15, 2018
Theater Schmeater presents a likable but halting production of Kristoffer Diaz’s play.
Disquieting Sci-Fi on Stage in ‘Pilgrims’
May 8, 2018
Forward Flux presents the West Coast premiere of this play by Claire Kiechel.
In ‘Silhouette,’ Ambitious Desires Clash with Moral Dilemmas
May 1, 2018
Scotto Moore and Eddie DeHais's world-premiere, sci-fi a cappella musical is now running at Annex Theatre.
Thrilling, Mesmerizing, Discomfiting: ‘An Octoroon’ at ArtsWest
April 24, 2018
Every element of this production works in concert to live up to the play’s complexities.
The Horse in Motion’s Site-Specific, Split-Psyche ‘Hamlet’
April 17, 2018
This immersive production cleaves the Danish prince's damaged psyche in half and watches the innards wriggle.
Dick Jokes and Gender Roles in ‘The Country Wife’
April 2, 2018
Rachel Atkins' adaptation of the Restoration comedy is now running at Theater Schmeater. If you’re going to revive a historically notable but artistically and/or morally dubious work, this is the way to go about it
Parallel, Imperfect Lives in ‘The Happiest Song Plays Last’ at Theatre22
March 26, 2018
This final play in Pulitzer winner Quiara Alegría Hudes’ Elliot Trilogy has a lot to live up to.
Excavating Dysfunction in ‘Big Rock’
March 20, 2018
A stealth protagonist disrupts Sonya Schneider's new father-daughter drama 'Big Rock.'
End of an Era
Leah Baltus and Amanda Manitach and Dan Paulus and Gemma Wilson and Jonathan Zwickel
Exit Interview: Wesley Frugé and Forward Flux
The Williams Project’s ‘A Bright Room Called Day’
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