Recent Articles

Review

The Williams Project’s ‘A Bright Room Called Day’

A thin membrane between reality and nightmare and past and present runs through Tony Kushner’s 1985 play, set in 1930s Germany.
Review

In ‘I And You,’ a slice of teenage life

Lauren Gunderson's play, co-produced by Pratidhwani and Theater Schmeater, contains multitudes.
Review

‘Fade’ struggles to find reality in TV writing

Tanya Saracho’s two-hander, now running at Seattle Public Theater, stars Ana Maria Campoy and Marco Adiak Voli.
Review

‘A Small History of Amal, Age 7’ follows a young boy’s fanciful journey

Forward Flux and Pratidhwani’s production of Lindsay Joelle’s lyrical new play feels like a children’s book come to life.
Review

‘Skeleton Crew’ tells the personal stories of a failing Detroit auto plant

A performance by the inimitable Tracy Michelle Hughes anchors ArtsWest's production of Dominique Morisseau's award-winning play.
Review

In ‘Howard Barnes,’ a self-aware love letter to musicals

Michael Kooman and Christopher Dimond’s new musical doesn’t exactly represent a revolution at Village Theatre. Less form-busting than fun, it's a meta-musical with a sometimes esoteric sense of humor.
Review

Strawshop’s adrenaline-fueled, last-minute addition ‘Prelude to a Kiss’

Two weeks before opening night, Strawberry Theatre Workshop swapped one Craig Lucas play for another. That the gambit worked at all is a testament to the abilities of the cast.
Review

‘The Rules of Charity’ blurs the line between caring and cruelty

Sound Theatre Company presents John Belluso's play of love, disability, resignation and rage.
Review

‘She Kills Monsters’ Journeys into Grief and ’90s Nostalgia

Theater Schmeater powers up Qui Nguyen's play about life, death and Dungeons & Dragons.
Review

‘Persimmon Nights’: Bulgogi and Buried Secrets at Cafe Nordo

Playwright Seayoung Yim whips this frothy drama into a concoction that feels both light enough for dinner theater and substantial enough to do her characters justice.
Review

‘Family Matters’ at ReAct Theatre

The ending of Rachel Atkins’ new play can't overcome its early family-dramedy clichés.
Review

The Unanswered Question of ‘Pageant’

There are a lot of things going for A Sensible Theatre Co.’s inaugural production, 'Pageant,' but the musical's glossy production can't overcome the dated material.