Painter and curator Cable Griffith is so tough he’s named after a Sam Peckinpah character. He talks to our reporter in one of Kirkland’s coolest beer pubs and dreams up an Eastside arts oasis. (Read this story in our September Eastside edition.)
There are no skulls or safety pin sculptures on display in Linda Derschang’s home, but it still shows signs of her punk past—a metal “KISS” sign above a doorway, a Melvins poster beside a window.
As creator of some of Seattle’s most recognizable hangouts (she owns Oddfellows, Smith, King’s Hardware and Linda’s Tavern), Derschang has developed a sophisticated style that juxtaposes aesthetics.
Photographer Matika Wilbur talks about the struggle of the modern Native American and her attempt to frame the issue in the exhibit Save the Indian, Kill the Man
