Philippa Kiraly
Philippa Kiraly has been a classical music critic for more than 30 years. She wrote for the Pulitzer Prize-winning Akron Beacon Journal in Ohio and, after moving to Seattle in 1991, for the Sun Press and Seattle Post-Intelligencer. Nowadays she writes for The Sun Break blog, The Seattle Times and City Arts.
Recent Articles
Review
‘Wonderful Town’ Lives Up to its Adjective
Seattle Symphony celebrates Leonard Bernstein's centenary with a semi-staged version of his exuberant musical.
Review
JACK Quartet, Joshua Roman at Town Music
On May 10, Town Music wrapped up its 2018 season with a program full of new-to-Seattle works.
Preview
Building an Intimate ‘Aida’
A conversation with E. Loren Meeker, who directs Seattle Opera’s upcoming presentation of Verdi‘s 'Aida.'
Review
Stage Magic and Stravinsky
Seattle Symphony's elaborate production includes piano, puppets, percussion, scenery, dancers, you name it.
Preview
Hero and Antihero at Seattle Symphony
This week at Benaroya Hall, Seattle Symphony juxtaposes heroic Strauss with the world premiere of David Lang's “symphony without a hero.”
Review
An Uncomfortable ‘Cosi’ at Seattle Opera
Mozart’s opera 'Cosi fan tutte' has always been considered scandalous, but in Seattle Opera's current production the real scandal is the cynical consideration of women.
Preview
Shadow Puppets Meet Schubert
How do you come up with shadow puppets to describe the wilderness of the soul that is “Die Winterreise?" Paper Puppet Opera helps us appreciate this dark 75 minutes of voice and piano.
Preview
New Concert Series Creates “Sanctuary in the City”
A new lunchtime concert series continues this Wednesday, featuring music from Cuba, Mexico, Argentina and Bolivia.
Preview
The Brasil Guitar Duo Makes Its Seattle Debut
Douglas Lora and Joao Luiz met as teens in Brazil and began playing together 20 years ago, earning worldwide respect for their unique combination of Brazilian and classical music.
Review
‘The Barber of Seville‘ a Sheer Delight
Seattle Opera‘s Rossini production is 19th-century musical comedy at its finest.
Review
Seattle Symphony’s Masterworks with Mahler and Berlioz
The series' season opener features two extravagant composers ahead of their time.
