Literary

  • Book Review: Stacey Levine's Frances Johnson

    Frances Johnson must decide whether or not to go to the annual dance.

    She must also decide whether or not to leave her confining small town life and strike out on her own. Mired in doubt, she must choose between acting on what others want for (and expect of) her and discovering what she wants for herself.

    In many ways the basic skeleton of the Stacey Levine’s novel, Frances Johnson, resembles a spoof of the classic “coming-of-age” narrative.  Any attempt to fit the book into such a narrow category, however, quickly proves futile.

    Read the full review after the jump.

  • Define "Adaptation"

    Here is the trailer for the new movie, Age of Dragons. 

    Within the clip, a tag line reads "Herman Melville's 'Moby Dick' told like never before." I'll say. It should be telling that the title Moby Dick is actually in quotes instead of italicized, as if it's some nebulous idea rather than a published work. 

    There may be more to this movie than metal music and rusty harpoons, but consider this - if your sci-fi world is overrun with vicious dragons, a quest to hunt one of them is probably a practical defensive goal. 

    However, what makes Moby Dick interesting is that Captain Ahab and his crew elect to go on a fool-hardy quest out of revenge and hubris, rather than out of necessity. As such, it creates a brilliant metaphor of the struggle against fate and unattainable desires.

    Maybe I'm missing the point about a movie where people hunt CG dragons with harpoons, but it's probably better to allude to the book, rather than claim "adaptation." That said, Danny Glover does look pretty cool. 

    Now to cleanse the pallet. From Moby Dick:

    All men live enveloped in whale-lines. All are born with halters round their necks; but it is only when caught in the swift, sudden turn of death, that mortals realize the silent, subtle, ever present perils of life.

  • So...so? (Random Musings on the Origins of Language)

    Last week I learned that Microsoft, in ribbing its competitors in the Silicon Valley, claims to be the originators of starting sentences with "So...."

    While researching the phenomenon, I found that Anand Giridharadas over at the New York Times, attempted to derive the source of this trend, and eventually flimsily related it to technology's influence on our modern lives.


    So read the book, skip the movie.

    However, years before, Nobel Laureate Seamus Heaney discussed the use of the word "so" in the introduction to his translation of Beowulf, an epic poem that (in this version) begins with the small conjunction, or interjection, in question.

    Speaking about the Hiberno-English Scullion-speak operating in the poem, he explains:

    ..."so" operates as an expression which obliterates all previous discourse and narrative, and at the same time functions as an exclamation calling for immediate attention.  

    As a grandparent to our current language, and a good explanation of how we actually use the word idiomatically to this day, it looks like Old English has tech companies beat.

     

  • Catch This: John Porcellino and Noah Van Sciver at Hugo House


    Current issue of King-Cat

    Comic hero John Porcellino has been self-publishing his independent comics for over twenty-five years. His much lauded comic series, King-Cat, has brought readers into his own mind since 1989.

    The prolific artist has also written on his teenage depression (Perfect Example), Thoreau (Thoreau at Walden) and his time as an exterminator (Diary of a Mosquito Abatement Man).

    Tonight at Richard Hugo House, Porcellino, along with Noah Van Sciver, self-publisher of the Blammo comic series, present a slideshow of their works and discuss life in the outer realms of self-publishing.

    Talk starts at 7:00pm, followed by a Q&A.


    Richard Hugo House, 1634 11th Ave.

     

  • Bookshelf Porn


    From thingssheloves

    Having worked in a bookstore for a number of years, I am a habitual book buyer. I don't bother to see if the book I want is in the library, and I don't check the online reviews. If a book entices me just enough, finances permitting, I buy the book.

    I've always excused this behavior because I like how books physically look, even if the read isn't always the best. 

    Bookshelf Porn is Web site that caters wonderfully to people such as myself.

    From the shelves at Shakespeare & Company to a stack of a few books on a person's desk, the site is full of pics that make you want to read, expand your collection or just redecorate your home to better display it.

    Thanks to Elena for the link.


  • Offensive Book Club Meeting Tonight

    What makes a book controversial enough to get banned from libraries and schools? Depends on who's counting.

    The Tempest Lounge had a warm vibe last month as I grabbed myself a Manny's and joined King's Books' monthly Banned Book Club meeting. Up for discussion this month were John Steinbeck's Of Mice and Men and J.D. Salinger's The Catcher in the Rye. I was excited to return to these classics with a more adult mentality, compared to when I was assigned to read them some years ago in high school.

    As the discussion began, some of the controversy surrounding both books elicited chuckles and eye rolls from the groupMice and Catcher, usual suspects on the Top 100 banned books list, have mainly been challenged for profanity, which some parents actually took the time to count. (Catcher has over 700 instances of profanity, and Mice has over 100, if you consider "sonuvabitch" profane.) Other reasons for outrage include sexually explicit, anti-white, obscene and racist content, as well as the "profane use of God's name." 

    Holden Caulfield from Catcher inspired the bulk of discussion in last month's meeting, as some members utterly despised the negative teen angst, while others completely relate to the character in all of his cynical anguish. Despite the disagreement, the group could not stop smiling at one member's gratuitous admiration for Caulfield's "brilliant mind."

    It's important to note that banning books is not a practice exclusive to the 1950s, nor to small towns. Tacoma author Brent Hartinger's young adult novel, Geography Club, was banned from Washington junior and high school libraries in 2005 because of a paragraph that described a romantic meet-up between the protagonist and an online acquaintance, organized via a chat room. When it comes to banning books, concerned parents and educators are generally not voices that go unheard.This makes the consideration of what's "obscene" and what's "appropriate" for children all the more relevant for public discussion.

    So join the group tonight, August 17, at 7:00pm to discuss Olive's Ocean by Kevin Henkes, which was banned in 2008 for sexually explicit and offensive language. The young-adult novel follows the protagonist Martha Boyle, whose experiences her typical summer vacation in Cape Cod much differently after a classmate is killed in a hit-and-run accident.

    Or, if you need a little more lead time, next month's meeting, on September 21, features Prep by Curtis Sittenfeld.

    Looking for more profound profanity? View a complete list of classics, their challenges and bans. 


    The Tempest Lounge, 913 Martin Luther King Jr. Way, Tacoma. Must be 21 to attend the meeting, or accompanied by an adult. All books available for purchase at King's Books.

  • Catch This: NCTC's Pipeline Reading Series

    If you enjoyed this month's cover story about New Century Theatre Company at all, you might want to check out the group's monthly play reading series, Pipeline, which kicks off a new season tonight at Solo Bar at 7:30pm.

    Tonight features playwright Susan Stanton, who wrote an original play for three of NCTC's company members: MJ Sieber, Betsy Schwartz and Michael Patten. Working from a series of twenty questions and answers these actors provided (again - if you enjoyed our chain letter interview with the group, this may be worth exploring), she came up with a piece that is currently untitled.

    Witnessing artists as they experiment and engage with work in its nascent stages can sometimes be more interesting than seeing the polished final product.

    Another bonus? Admission is free.

    Although donations are accepted.

    And if you can't make it tonight, mark your calendar for one of three future readings already scheduled. Details available on the NCTC Web site.


    Solo Bar, 200 Roy St., Seattle

    Photo by Andrew Waits for City Arts

     


  • Catch This: Reading at King's Books

    King’s Books in Tacoma hosts their Distinguished Writer’s Series Open Mic every month, sponsored by Puget Sound Poetry Connection.

    Although the open mic is open to anyone wanting to read some of their own work, there is always the special treat of a guest reader. This month’s installment includes Nicholas Karavatos reading from his first published book No Asylum.

    Nicholas lives near Dubai and teaches literature and writing at the American University of Sharjan in the United Arab Emirates. He has been described as a poet with “great range and clarity” often speaking of life, love and the Middle East where he resides.

    His words are relatable, humorous and captivating.

    Read an excerpt from his book, No Asylum, after the jump:

  • Catch This: Josh Wagner & Theo Ellsworth

    Bizarre, but stunning and beautiful, the distorted worlds Josh Wagner and Theo Ellsworth create in their comics are engaging, fun and shot in the arm for readers. 


    From Ellsworth's Capacity

    Josh Wagner's Fiction Clemens, or "The Adventures of a Zen Cowboy," is a comic where the typical western genre mixes with science fiction, and the result is somewhere completely unique. As Wagner describes, the titular character is "the reconciliation between fate and chance," which for Fiction often means drawing guns, getting in fights, and continuing an epic battle between himself and his nemesis Kitchen. Pulpy, yes, but philosophical throughout. 

    Theo Ellsworth is a blend of Windsor McKay, Dr. Seuss and Tony Millionaire, drawing worlds that are highly detailed and distorted, blending the organic, monstrous and mechanic. Difficult to encapsulate, Ellsworth's short comics Capacity and Sleeper Car are books to read repeatedly to discover even more layers to the author's work.

    Both Wagner and Ellsworth read and discuss their previous and latest works tonight at Pilot Books starting at 7pm.


    Pilot Books, 219 Broadway E.

     

  • Catch This: Verse Chapter Verse

    Verse Chapter Verse, Seattle's newest literary series, which has already brought notable readings from authors Cory Doctorow and Jonathan Lethem, presents its third reading from Gary Shteyngart, author of The Russian Debutante's Handbook and, his latest, Super Sad True Love Story.

    Set in a dystopian America, where illiteracy is the norm, credit scores define one's emotional self-worth and nanotechnology keeps the rich alive forever, Super Sad looks at a possible future for America, where its contribution to the world has all but ceased to exist and complete downfall could happen at any moment. In the midst of which, an awkward love story begins. 

    Shteyngart will read and take questions from the audience, and there will be music from Orkestar Zirconium, an interview between Shteyngart and Paul Constant (books editor for The Stranger) and it's all happening at the Sunset Tavern, where, unlike most readings, you can drink overpowering Manhattans while learning about literature

    Reading and music starts at 8pm. 


    Sunset Tavern, 5433 Ballard Ave NW.

  • Poetry as Drinking Game: Last Night at the Off Hours

    Last night at the Off Hours was the first time I was ever encouraged to treat a poetry reading as a drinking game

    And no, this was not inspired by friends of low character who were bored because they weren’t watching sports; the suggestion came from featured poet Matthew Nienow, himself.

    Nienow (above) was concerned that because most of his poems were “downers,” he might spoil the beautiful summer evening (evident in the lovely light streaming in through the venue's large windows). So he suggested that, for each downer poem he introduced, we should take a drink. The crowd happily obliged.

    That’s how it goes at the Off Hours, where emerging poets and writers give readings in an informal and friendly setting. If you have ever been reticent to attend a reading, because you felt it might be too stuffy, too boring or remind you too much of school, this is the event for you. 

    Read more after the jump.

  • City Arts presents The Off Hours


    If you haven't attended an installment of the Seattle reading series, The Off Hours, yet, this is one to try.

    Series founder Lacey Henson will join the lineup of readers for the first time tonight. And she surely won't disappoint. Lacey's writing draws clear parallels with the irresistible Lorrie Moore.

    Joining her tonight are poets Don Mee Choi and Matthew Nienow and writers Ian Sherman and Elissa Washuta. Fellow writer Colleen O'Brien hosts.

    Another first: the series has finally made its way to Capitol Hill. The reading starts at Sole Repair at 7:00pm; and a post-show party continues there until 11:00pm or so . . .

    Tickets are $5 each. (All proceeds go to the readers.)


    Sole Repair is a private event space on 10th in Capitol Hill, near 10th & Pike. It's just behind Quinn's and opposite Neumos.

  • Catch This: Quinoa, Cookbooks and Conversation

    The Food for Thought Book Club meets tonight at Garfield Book Co. near PLU.

    The group's blog offers some interesting facts about quinoa — especially if you're like me, and have never heard of quinoa — and also previews the dish that will be offered at the club meeting tonight.

    If you're a cookbook or cooking fiend living around South Sound, you might just want to check this out. Not free tonight? The club meets on the last Wednesday of every month at 6:30pm.


    Garfield Book Company
    208 Garfield Street, Suite 101, Tacoma

  • Only You Can Help Advance Digital Literacy, or Nerding Out on reCAPTCHA


    You'll come to like these forms. 

    When you submit information in an online form, you're often prompted to fill out a box like the one above.

    These help Web sites deter spam, because the slightly oblique words can only be read by a human. Good for Web sites, but pretty annoying – in fact, users spend 150,000 hours a day entering security words.

    Luckily, someone found a way to make use of those hours. Soon, many anti-spam query boxes will be replaced with a tool called reCAPTCHA .

    Instead of just entering random words, when users are prompted with a reCAPTCHA box, they will actually be helping to clarify words from scanned documents, which certain literacy projects are using to put books, magazines and other documents online. The software that scans physical documents, not surprisingly, can't interpret all words correctly, so it needs a pair of human eyes to decipher certain words.

    When you are prompted with two words, one of those words is known by reCAPTCHA, but the other word is from that big list of indecipherable words. By entering the known word correctly, users help the scanning system determine the correct reading of the other word.

    So take heart - every time you post information online with reCAPTCHA, you're helping to advance and preserve literacy

     


    Thanks to kukkuzejt on reddit for the story. 

  • How to Program a Soul


    The Commodore 64, the first computer I learned to program on. 

    In the July issue of City Arts Eastside, sci-fi author Ted Chiang asked a simple question that called into question the nature of how artificial intelligence is imagined in sci-fi:

    "You say that the [computers] are learning, but you are assuming that they come pre-filled with all of this experience. Where does that come from?"

    Almost thirty years ago, Tracy Kidder published The Soul of a New Machine, which also sought to explain the source of that nebulous knowledge. A technical, dramatic and detailed story about a small group's attempt to build a computer on a deadline, which earned Kidder the Pulitzer Prize, Machine actually gives the details at how computers acquire their abilities. 

    In the book's painstaking description of what makes a computer the machine it is (as opposed to an engine), Chiang's objection to much of sci-fi becomes clearer. 

    Kidder realized that it's hard — really hard — to make a computer do anything, so the idea of a robot butler or, unfortunately, a robot apocalypse is a bit improbable. And so the book looks behind the curtain of computer mysticism that is often conjured in sci-fi novels, albeit from an '80s point of view. 

    Interesting (and a little nerdy). 

    As an aside, one programmer even posited an idea similar to one presented in Chiang's recent book, Lifecycle: "The way I think it's gonna be is that the computer will grow up with [a] child. When you're born, you'll be given a computer. You'll teach it how to talk after you learn how." 

     


    Read more about Ted Chiang when you pick up a copy of City Arts Eastside or Seattle. There's also a little extra on his publishing debacle in our Web Exclusive, "Ted Chiang vs Tor Publishing."

     

  • Catch This: Vendela Vida

    When I was an intern at an unnamed local paper a few years back, one of my first tasks was to transcribe an especially long interview with Dave Eggers and Vendela Vida, Eggers' wife. They were discussing the couple's film, Away We Go

    At the time, I didn't know much about Vida, editor at the The Believer, journalist and novelist who wrote Let the Northern Lights Erase You and her latest, The Lovers, which she reads from and discusses tonight at University Bookstore.

    Vendela Vida
    The pic you will always see of Ms. Vida.

    The Lovers, like her previous work, explores the lives of women in transitional points in time, in exotic locations. However, in The Lovers, the protagonist, a widow on vacation in a small Turkish village, spends her time examining her own emotional history, her unclear memories of marriage, her distance from her children and her own happiness.

    Going back to my intern days: there's something lost in transcribed interviews – the casual asides and the tone of delivery, and the general mood of the interviewee. Listening to Vida talk casually about her work, her approach to writing and her enjoyment of discussing literature, got me excited to read and write. 

    So while The Lovers may be good, the reading is worth the trip to hear Vida talk about books. Starts at 7:00pm.


    University Bookstore, 4326 University Way NE

     

  • RIP Harvey Pekar

    Harvey Pekar, seemingly always frustrated and disappointed with everyday life in his long-running autobiographical series American Splendor, died today in his Cleveland Heights home at 70. Pekar had recently been struggling against prostate cancer. He had previously battled lymphoma, an experience he documented in his comic Our Cancer Year.

    I can't say I'm a Pekar expert. I do, however, think he nailed the appeal of his own work quite well:

    "It makes you feel good to know that there's other people afflicted like you."

    Thanks to Pekar for helping us know that, and his undeniable influence, and the excitement he brought to the comic form. 

  • Catch This: Seth Tobocman

    Seth Tobocman's comics didn't see a huge surge in popularity when graphic novelists like Alan Moore, Chris Ware and Jeff Smith began to be picked up by serious literati, major critics and film studios. 

    Tobocman probably never will be either, and that's how he would like it. Anti-corporate, politically radical and talented, Tobocman's comics are a direct representation of his own political views, personal experiences as a squatter in New York and stories of others who have been overrun by corporate or government irresponsibility. 

    Best known for his series of comics World War III Illustrated, Tobocman is a political and social advocate for lower classes and for fair business practices. His drawings feature violence between dark silhouettes and often distorted or half-animal authority figures, woodblock-style inking and re-imaginings of real-world crisis such as 9/11 and Hurricane Katrina.

    Tobocman reads tonight at Elliott Bay Book Company from his latest book, Understanding the Crash. In the book, Tobocman and journalist Eric Laursen examine the history of the recent financial collapse and the possible futures of the world economy, using Tobocman's evocative style to argue for a change in the financial system. 

    Starts at 7:00pm.

     


    Third Place Books, 17171 Bothell Way NE. 

  • Catch This: Bret Easton Ellis

    Near the end of Bret Easton Ellis' novel Less Than Zero, Clay, the book's main character, remarks to his rich, spoiled, urbanite friend (and drug dealer) Rip – "You have everything." 

    Rip replies – "No I don't. I have nothing to lose."

    It's the chilling center of that novel and the materialist decade of the 1980s. Twenty-five years later, Clay returns in Ellis' new novel Imperial Bedrooms, which Ellis will read from and discuss tonight at Elliot Bay Book Company. 

    In Bedrooms, Clay, now a New York-based screenwriter, returns to LA to cast his latest film. Older, but now back in contact with the skewed people from his youth, Clay falls into an alcoholic and sexual haze, passing through a noir maze intertwined with modern Hollywood where dark vehicles stalk Clay, killers lurk and cryptic messages appear everywhere. 

    Dystopia, perversion and listlessness: the book's themes fit in well with its parent and Ellis' complete catalogue. 

    Reading starts at 8:00pm.

    Thanks to RodneyRamsey on Flickr for the awesome pic of downtown LA. 


    Elliott Bay Book Company, 1521 10th Ave.

     

  • Catch This: The Girl Who Goes Alone

    Elizabeth Austen is a local poet who has been on my mind for a while. She's clever, direct and uses physical imagery that bounces between the romantic to the perfunctory. In those places, she explores how the body responds to the world and its interplay between the mind and emotions in detailed vocabulary that expands emotion and shared experience. 

    Tonight, Austen celebrates the release of her latest chapbook The Girl Who Goes Alone with a reading at the Richard Hugo House. Here's an excerpt from the titular poem:

    The thing about being a girl alone in the woods is you know too much 
    about the grain of truth in the warnings.  

    you know the other girls’ stories — your sister 
    date raped after a party in college, a friend 
    raped by a stranger at knife-point, the two women 
    shot on the Pinnacle Lake trail. The singer 
    killed by coyotes in Nova Scotia.

    The thing
    about being a girl
    who goes alone
    is that you feel like you shouldn’t go
    if you’re afraid. If you go it should mean you’re not afraid,
    that you’re never afraid. Your friends will think that you go unafraid.

    This girl
    who goes alone
    is always afraid, always negotiating to keep the voices in her head 
    at a manageable pitch of hysteria.

     

    Reading starts at 7:30pm. 


    Richard Hugo House, 1634 11th Avenue

     

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